Few days ago I had my sweet press pass hanging around my neck. It means you can ask the nice girls for their photo anytime, you get in for free to concerts you never stay around to hear, and you can mingle in the front-row because people think that’s where you belong.
However, even I had pass to all area, this particular star issued his distinct photographer passes. So mine was good for everything but the concert of Bryan Adams.
Inconvenient to say the least! So angry at the press officer who either didn’t know or at forgot to tell me, angry at Bryan Adams for being so lofty to have his own set of rules, I turned on my heels and pursuing the exit thought of ways to make sure I would never ever make a photo of Bryan Adams in the future.
But little did I know about the future I was so rigorously postulating.
30 feet behind me the security had sealed off the area in front of the stage so I couldn’t get out. Imagine having to stay and watch a concert you are not allowed to photograph.
Oh dear.
So I moved along the crowd to find the exit I was sure had to be there, just to learn there was no exit anywhere. During my progress I realized Bryan Adams planned to run in between the audience, hence the sealing off a road between the front audience and the audience in the back.
So there I stood, completely locked between two drunk girls and a tall man, and some few thousands others.
On the big screen we saw Bryan Adams coming, then he was just behind me, then 50 feet in front of me on a stage amidst the audience. Out of the corner of my eye I could see the rest of the photographers lined up in an angle so that they had the big black stage behind him.
(I don't get those signs with 'no cameras allowed' ...)
But I was placed in a different angle to that I would get the ships and the dark sky behind him. Not bad, considering it was the Tall Ships Races.
So standing amidst the audience, at the same level is my point, I shot a series of blind shots as I had to lift the camera up to get Bryan Adams in focus, the ships behind him and hopefully a flood of people below him.
I got some nice ones, I think.
It’s become more or less a philosophy of mine that when things are not set up the usual way, it either goes down the drain – or something different comes out of it.
I like different. Because there is so much of the ordinary stuff floating around.
Later, the "King of Pop of Denmark" came on stage to fire up the audience. So I got a bit closer. Thomas Helmig that is.
Thank you so much for the very kind words, Thorsten. Getting that from a working photojournalist is always a real compliment. :) I started shooting in 2005, and the oldest photo in my uber portfolio is just from 2006. Definitely hoping to be even better in years to come! Thanks once again, and cheers from Indonesia!
Well, you're simply the most talented guy I've seen in a long time ... or longer. You're basically at a level where the only thing you should aim at developing is the message. What do you want to tell with your pictures. And I hope you don't go the "World Press" way with hopelessness but go for a the message of life, spirit and hope.
Hi, I have been watching your photography work for a bit and I really like them because it is rare from a professional photographer to shot real people with real emotions especially from famous people.
Hey Thorsten. I bought myself a used Leica R4. Now I'm in the R gang too. Part of this is because of your influence. The camera isn't in perfect condition, but it was affortable. I'll run a test roll thourgh it and probably use it for a reportage on Sunday.
Feels nice. Summicron 50/2 looks good and I hope it comes up to expectation. Should be pretty similar to M.
So well, now I am even more a red-dot elitist. But I don't care, I use other cameras too, Leicas are just good. Form a first glance I think that R is largerly underrated.
Chris will be green of envy ;-) and that's his own damn fault ;-)
The R4 is actually a nice camera and a nice size and sound. And it's easy to get one as many were produced and it is said to have a "faulty electronics." (Which mean that some R4 go dead, but I've never had any problems with mine).
You can probably find an inexpensive winder or motor to go with it. Gives an even better hold on it and balance.
The 50mm f/2.0 is reputed to be one of the best 50mm lenses in the world. And still is. I find 50mm a bit dull as I prefer 80mm mostly - but I must admit I'm blown by the quality of the Summicron 50mm f/2 when I use it.
Yes, sure. Electronics. A photographer I know, which has anything from Leicaflex to R8..., told me: look my brand new R4 went dead pretty soon. If you buy an R4 now, it most probably has survived. A visual check shows that mine works, a couple of films will tell.
As much as I love M... this R is nice. Leicaflexes are very expensive and in any case, having an electronic SLR with good exposure is pretty nice. Working with flash is easier too.
The R4 is the smallest of the series, this is also why I have chosen it. The only thing I miss is the 1/2000", which would allow me to open my lens more. The camera fits well in the hand.
80mm is nice for reportage, concert photos. I like the 50, but sometimes you can't get near enough or you need the tele-effect.
I pretty much like the 90/2 with its fancy retractable lens-hood. Probably if I find myself using the camera, I'll look for one.
I'll blog about the camera probably!
So when you come to Italy or I go to Denemark, we will have even more material for a chat, hah!
PS: I so much wished Leica would introduce a new digital back: it would keep the R system alive (no, I don't want a full digital R camera). Imagine a full-frame module! Slap it in for some newspaper work and put your slide or b&w film in when you can have more time for your images.
thanks for the comment. My M8 is MOSTLY a camera for personal work, so no backup unfortunately. I use Canon's for work...the minute either Leica or Mamiya release a digital rangefinder with 16-22mp, I'll ditch my Canon setup....
Impressive work, nice gallery. I'm new to uber and your blog is great, hopefully I'll add some photos representing my country soon. I like your style as a documentary photographer, very informative and beautiful.
Actually I haven't used the FED camra for a long time. Shooting digital now. It's too expensive for me to work fully with film and there's no proessional places to develope or print. So, I chose digital. Thanks. But the place is indeed interesting for photographing, for living it might be a bit harsh.
Thank you so much for sharing! I agree about falling in love with your tools and staying in love with photography. I use new and old school tools. I have nice DSLR's and a point and shoot I carry all the time and old rangefinders, twin lenses - they all have good things I love about them. Sometimes you have to make choices according to situations - when I go on trips - especially overseas, I have to be really efficient and thoughtful. I will check back for you new works. Thanks,
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are you ready for this, i finally found out what was going on with mike and his younger brother andrew. remember how they never had girlfriends up until this past year, now they are with different girls weekly, well i am the only one who has proof on what happened. they both have been taking enlarge pills from http://www.bolinu.com for many months now, i found 7 empty bottles under mike's bed and he caught me, forced me to promise i would never tell anyone about the pills. well i told dave about them 2 months ago, he ordered 6 bottles from http://www.bolinu.com and now he too is a ladies man overnight. none of these guys talk to me anymore so now i can tell you all about the pills and living proof that they work, they even guarentee your money back 100% if they don't work on you. go now to http://www.bolinu.com
